Category: film

the Scared is scared: Changing Messages

I think the phrase “wisdom from the mouth of babes” is rather fitting here. 

I wanted to share this short film because, as it was shared with me, it has a message that somewhat changes… it evolves and becomes something much deeper. 

This process is one that, I’m sure, was replicated among our filmmakers and writers as they were crafting their films and their stories. What started off as a simple journey of two animals having a great time at the pool turned into a stance on closure, fear and letting go. 

As our artists started their stories, did their message change? Did it grow into something deeper? 

Even looking at this film, it’s easy to tell that, for just seven minutes worth of film, it took a lot of people and work to make it come together. Each person involved in the film added their own touch of personality–whether it was in the music, costume design or in the set– and added to the filmmaker’s original design to make it… more. If say, for example, the music had a rockier, harder sound, we might think quite differently about the message of the film. But all of the film’s components came together, meshing with the theme of the story and producing something that we all can think about when times get rough: “the Scared is scared of things you like.” 

What will our artists say with their works? And, likewise, what will their works say to us? 

Thanks for watching! Don’t forget to get your tickets now before we are completely sold out! 

 

Best, 

Alf the Intern 

A Great Journey

by Abe Duenas

A lot has taken place since launch night of this festival back in October.  Pre-production online meetings, storyboarding, scouting, casting, online meetings with a CGI animator in Brazil and countless other related tasks.  As I type this, I will have completed 95% of my principal photography.   I know my other fellow filmmakers are just as hard at work crafting their stories. I have heard from the underground com lines that we are all in for a treat come “Premiere Night.”  For me, this has been a truly satisfying experience not just because of completing a film, but mostly due to the experiences shared during this voyage.  There is Peter, who is my lead, an extremely gifted actor about whom some may say is in the twilight of his career, but has shown me that he is still in his prime.  

Peter and Abe on the set

There is Fabiano and Renato out all the way in Brazil, who have worked tirelessly on creating a character who I thought would have to be played by a folkmani finger puppet.  The amount of hours they spent on just one shot dwarfs any other task I had to complete.  Working with them has really impressed me how hard artists will work on a labor of love if they believe in the story.  There is also Earl from Earl’s Tire here in Gaffney, who willingly allowed me to shoot at his location.  Sometimes as artists we feel that the community will not support our work because they don’t always support us with their checkbook.  But I appreciate his contribution more than if he would have given this film money. I still cannot believe how perfect the location was for this film.  I cannot forget people like Billy, who lent me his Gramophone, or  the wonderful ladies of downtown Cowpens antique shops who opened their arms to this film by lending us tons of props, and other passerby people who would give me a good lead on a hard-to-find prop.

Abe Duenas and Peter with the gramophone

 

Ian, an extremely talented photographer, also helped light my scenes with the always willing Joe and Beau. I can’t forget Jeanette helping out as AC and April– she is like the person in jail who gets you stuff you need. I had the support of Emily and Katherine for the film with their acting.  All of these experiences occurred because we simply wanted to tell a story. 

Lighting on the set and getting ready for filming

Donde Come Uno, Comen Dos, at it’s core, is a film about friendships. I am glad to have been able to come away with many of these because of this project. This will mark my most creatively ambitious film to date.  I hope the audience is entertained and I look forward to making new friends come Premiere Night.

Abe Duenas's Movie Poster for Donde Come Uno, Comen Dos

The Festival: Eight Weeks and Change Away

Greetings EG Fans!

With the holidays behind us and our festival fast approaching, it’s time to kick our outreach into high gear and share the hard work and vision of our diverse and talented group of filmmakers.

Each week, we want to post a wealth of content from the upcoming films and filmmakers. Clips, pictures from the set, stills and abstracts, and posts from the filmmakers themselves will see their way to the EG Blog, so keep checking in with us each week for updates. We’re also keeping the doors open for guests to write blog posts for us on a wealth of topics related to film and writing, so be sure to contact Alf at Alicia@hubcity.org if you want to be featured on our EG Website Blog.

Tickets for the festival will be going on sale SOON. You can purchase them January 19th (this Saturday!) starting at 6 a.m. for $15. We were completely sold out last year—so expect another sold-out show and get your tickets early!

We hope to see all of our fans on March 23rd! Mark your calendars and Expect Legacies!

Best wishes,

Alf.

Expecting Goodness, Building Community

I don’t know if you’ve heard about this little thing we’re calling the Expecting Goodness Short Film Festival, but you really should. What’s our mission here? COMMUNITY BUILDING. And here it is in film form.

EGSFF

Two weeks ago, we had the filmmakers who registered to make a film as part of the project gather at The Showroom for the launch. Seven guys showed up to take the challenge: Porter Blackman, Andrew Doughman, Abe Duenas, Adam T. Gordon, Jason Kruczynski, Wade Sellers, and Chris White. They each picked a story from the Hub City Press collection Expecting Goodness & Other Stories: The Essential Fiction of Spartanburg. So, here’s connection number one: South Carolina filmmaker selects Spartanburg writer’s story to use as inspiration for a short film.

Over the last two weeks, the filmmakers have been living with their chosen stories, creating storyboards, writing scripts, and building their teams. Many of them have met with the writer of their story, and many of them have been scouting filming locations in the Upstate.

Then on Saturday night we invited you to Film Fan Night at The Showroom, where you could meet the filmmakers and even sign up to help them on their films. And that was connection number two: bringing the films and filmmakers to the community at the beginning. You get to witness and/or be a part of the progress of these seven films that will premiere on the big festival night of March 24. You get to vote for your favorite to win the $500 Audience Favorite Award. You get to witness the talented people of the Upstate in this, HUB-BUB’s first film festival.

I have zero experience with film–only the several videos I’ve made over the last few months for HUB-BUB and Hub City–but I’m so into this project. Our filmmakers are excited and talented, and we can’t wait for you to get to know them over the next two months. Starting in the next few days, you’ll meet each filmmaker here on the blog, starting with Andrew Doughman, who is a reporter at the Spartanburg Herald-Journal right across the street from the HUB-BUB building.

So come hang out in AiR Steve Snell’s studio with us on Saturday the 4th for the Heroic (re)Production community film workshop to act out a scene from hero movie history and learn some aspects of production. It’s free! And Steve will cut all of the scenes shot throughout the day into a video that will make everyone involved epic.